You are a local billionaire (never mind which one). The founder lent you the keys for the night. He calls it "creative destruction." Rack up the biggest damage bill in history before the insurance adjusters arrive.
Every work here is real, with real prices from auctions and insurance records. Aim at a piece to see what it's worth, and read its placard to learn who made it and what has happened to it before. Smashing a Caravaggio is not the same as throwing soup at a Rothko.
You start with nothing but a tube of lipstick. The soup, crowbar and paintball marker are hidden around the museum; follow the beams of light. The sledgehammer and flamethrower sit in time-locked cases that only open once your bill is big enough.
Images of public-domain works come from Wikimedia Commons. Works still under copyright (Rothko, Pollock, Warhol, Basquiat, Kahlo, Kusama, Koons, Moore, Hepworth, Calder) appear as gallery stand-ins. Prices are auction results where one exists and clearly labelled estimates otherwise. No real art was harmed. Please don't try this at an actual museum.
The docents are catching their breath.